Criticism In Design Studio: The Actors, Atmosphere, and Channels

dc.contributor.authorTok, Ammar
dc.contributor.authorAyyildiz Potur, Ayla
dc.date.accessioned2025-10-29T11:07:54Z
dc.date.issued2016
dc.departmentGebze Teknik Üniversitesi
dc.description.abstractIt may be commonly held that design education is the heart of the studio idea, but it is also possible to regard criticism as the heart of the studio. Much like components of the design subject, many variables such as the necessities of a design process timeline, the structure of the student group, and the developmental properties of different class levels affect the interaction and formation of the style of criticism that takes place between the student designer, studio instructor, and other student designers. For this reason, there are different criticism styles in design education, including self-criticism, one-to-one criticism, desk criticism, peer criticism, panel criticism, and closed jury criticism with different advantages, disadvantages, and outcomes. In this study, the phenomenon of criticism in the design studio is evaluated with respect to the participants, the atmosphere, and the channels.
dc.identifier.doi10.5505/megaron.2016.67699
dc.identifier.endpage422
dc.identifier.issn1309-6915
dc.identifier.issue3
dc.identifier.startpage412
dc.identifier.urihttps://doi.org/10.5505/megaron.2016.67699
dc.identifier.urihttps://hdl.handle.net/20.500.14854/5126
dc.identifier.volume11
dc.identifier.wosWOS:000391204100009
dc.identifier.wosqualityN/A
dc.indekslendigikaynakWeb of Science
dc.language.isotr
dc.publisherYildiz Technical Univ, Fac Architecture
dc.relation.ispartofMegaron
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccess
dc.snmzKA_WOS_20251020
dc.subjectCriticism
dc.subjectatmosphere of criticism
dc.subjecttypes of criticism
dc.subjectjury
dc.subjectstudio
dc.subjectdesign education
dc.titleCriticism In Design Studio: The Actors, Atmosphere, and Channels
dc.typeArticle

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